VAT. Guillem de Castro, 119
Probably the most interesting specific project that has inhabited the gallery 6 of IVAM in the new era. That's it To the point of attachment, as well as an archaeological term that refers to the limit up to which you can excavate. It is very appropriate because Patricia Gómez and Mª Jesús González have excavated the walls of the room, literally, to extract the history of the museum from the different layers of paint. The consequence is that it is surrounded by a timeline made of the colors that have dressed it over the decades (black Federica Guzmán's last exhibition, rose of the Císcar era…) and the chopped rubble of the walls is piled up on the skirting board. Pure materialization of time. On the second floor we leave the aesthetic to delve into the theoretical. The two artists have dived into the institution's archives to assemble what the architects call the Harris Matrix, a diagram that collects many of the decisions that have been taken at the museum over the years. S.M.
