Fals: The art of deception or art's deception

UNTIL SUNDAY 3/9
MuVIM. Quevedo, 10

One of the biggest nightmares that a museum can suffer is that he is happy in a forgery and here is the Muvim, dedicating the whole Hall Buttered to a collection of unauthentic works confiscated by the group of Historical Heritage of the National Police to the Valencian Community. It is no coincidence that many of them are supposedly signed by the golden choice of Valencian art: Sorolla, Pinazo and benlliure. Some also for segrelles, Sempere and Genovés. The goal is to discover different forms of deception and to analyze the reasons of those who arewhere they cheated, basically, The aspiration to obtain a cultural status through the possession of alleged works of art played by the antiquity rod or the creator genius. The condemnation is simple when a small oil has been copied on the Master Sorolla tabla, There are a few in the sample, But the matter is embedded when the copied was conceived to be reproduced in series, with Andy Warhol’s Marilyn Monroe’s screens, the artist who turned one of the premises of art until then: the original uniqueness of the works. Or when the recognized artist, Antonio de Felipe, is condemned to acknowledge that he is not the only author of his works, made with the help of an old collaborator who sued him to claim co -authorship. Art is an area of ​​gray. In time of fake news viral and accelerated Muvim invites us to rethink what we perceive as truth and lie, as authentic or false. S.M.

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