CARME CENTER. Museum, 2
Luis Gordillo photograph his paintings and manipulates the images that I extract to get to something else. In time pre-photoshop, years 70, he what would be National Prize for Plastic Arts (1981) cut, photocopiaba, It fit, reproduced, modified, painted, Contrast and scratched the photographs of their paintings and then photographed them again in a relaxed game in which paint and photography fed each other. This manipulated paint exercise can ver In the exhibition of the Center del Carme, in Two works (Duplex bath and headbobzon) in whichE plays a thousand ways with The main figure of a original work To compose another. Gordillo He squeezed all the techniques of an analog time without computers, From the offset to photocopies, But when digital came also hugged him without complexes because, according to he, The machines give you colors that you would never have thought. The only digital tour of the tour is a collage of little ones collages In those who continue playing with the image. Y lto the most important work of the room maybe Sequences EDIPIANS, where it composes a narrative photographic sequence (something that nobody did At that time) To tell a story of Sex connotations in which Tom Jones appears on the beach with a girl, Pipo the smoker doll and himself, as voyeur. S.M.
