FROM THURSDAY 8 ON SUNDAY 18/9
CARME THEATER. Gregory Gea, 6
Three dance pieces and one piece of musical theater make up this sixth edition of the Carme Teatre Sceniques Cuir Series. The malcomío does not think [8-9] is a colloquial expression from the Dominican Republic that refers to the supposed bad decisions made by the humblest layers of the population and gives its name to a dance piece that criticizes stereotypical masculinity and the hegemonic bodies that frequent contemporary scenes. No more versions: Witch Love [10-11] it wants to be the anti-version of the first Spanish ballet of the 20th century created by Manuel de Falla and versioned a thousand and one times (provocative: includes songs like "Cuando zarpa el amor" by Camela); i The very last nothern white rhino [15-16] is a piece of urban dance where Gaston Core reflects on the function of living by looking at the only two surviving female rhinos of their species. Transistors [17-18] came out of a night organized by the festival Vociferio and the Carme Theater to honor Rampova. It is a musical and poetic portrait of the relationship that author Graham Bell had with Clara Bowie and Rampova, members of the legendary subversive cabaret group Ploma 2 who revolutionized the Valencian scene in the eighties and nineties with proto-leather shows and the first LGTB radio program: The rebel pint. S.M.
