We start 2024 saying a sad farewell to one of the theater halls that had been fundamental in the scenic fabric of the city, the Ultramar Room. We have spoken with Mertxe Aguilar —playwright, actress and manager—about the work with which Ultramar says goodbye (Morning glory), about the fragility of the sector and about abandoning as an act of survival. Photography is what you can find in the exhibition of National Geographic (Colors) at Caixaforum and the IVAM, Photography in the middle, focused on the uses of photography as an instrument to create new communication devices. On the other hand, La Nau hosts an art exhibition against sexist violence (So many women in one), and the Center del Carme gives luster to the work of Felipe Pantone and dedicates a great retrospective to the musicologist Lawrence Barber. Tenderete continues to focus on graphic and sound self-publishing for another January, The Film Library programs a cycle on Jim Jarmusch, and the theater halls turn to dance, that of Cristina Gómez (Nana), I live in Noales (Sempere) o Vanessa Aibar (The queen of metal). But be careful, that we also have the Señor Serrano Group presenting an island, to La Canadiana with a utopian dystopia call 2030, the great lady of the Venezuelan scene Diana Volpe starring dolls and Anabel Alonso in the role of The Celestina. They bring the music Morgan, Spike (he frontman of the legendary The Quireboys), Bizarre Love Triangle, Juliet & The Tyets, San Isidro, Fetén Fetén y Santero and the boys. Besides, we are going to look for the urban art signed by women in the historic center of the city, we discover them coquettes in clothes, We read the latest from Charles Burns (Mazes), we watch the Berto Romero series (The other side), we prepare a Tarta Sacher with raspberry jam, we go to lunch Taberna Domingo and we continue our walk through the neighborhood of Morvedre.
Au Summer Printed Magazine 2026
A summary of the summer printed magazine of 2026.
