It is already known that January is not very friendly to culture, especially in pandemic times, but in the number 159 from AU we have managed to serve you a good menu that begins with the interview with Elías Taño about his comic Garafía focused on the migration of canaries to Venezuela in the years 40-50 of the twentieth century. Besides, we have entered House of varietats, a center specialized in LGTBI culture that welcomes drag shows, film screenings, charlas, debates and presentations every week on Quart Street. The Teatre Principal welcomes you to the 2022 with plays Uncle Vania y The devil of Cojuelo, Sala Russafa recovers Johnny Chico by popular acclaim and the Teatro Círculo poses dilemmas around art with the irony and subtle self-criticism of Headliners. There are three exhibitions to highlight: one about night photography in La Nau (Nocturnal), another at the Center del Carme on art since the arrival of machines (Artists and machines), and the last, in the IVAM, about urban crowds in motion in the paintings of Ignacio Pinazo (Pinazo in public space). The music rooms have reserved pleasant surprises for us, such as those of Morgan, Hellsingland Underground, The Punsetes y M. Ward, and La Filmoteca reviews seventy years of the San Sebastián Festival. We tell you about a Valencian design studio that makes very cool t-shirts under the name ymicamiseta, We cook one duck paella with mushrooms, We are going to try homemade Korean food in Is it a burden? and we take a walk around the neighborhood Monteolivet. And if you're wondering what happened to the AU logo in January, you will also find the answer. Taking advantage of the fact that we are the World Capital of Design, We have teamed up with the designer Juan Nava so that our A and our U remember letters from old posters drawn by him for his project Recovered Letters throughout the year.. That 2022 be the year of design and the end of the pandemic!
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