UNTIL SUNDAY 26/10
CCCC. Museum, 2
The Carme center smelled of fresh paint on the day of the presentation of Beginning. Ten urban artists had painted murals expressly on the black walls of the Carlos Pérez room with the aim of being valued. They are a generation of Valencian artists (of cradle or adoption) who have crossed borders based on kneading prestige from this small corner of the world. Las Cachetejack, For example, winners of a gold lion at the Cannes Festival; Dulk, appointed ambassador of National Geographic Thanks to its fantasy animal world; The duo Pichiavo, author of one of the most iconic murals in New York-the Houston-Bowery Wall—; o Vinz Feel Free, one of the hundred best urban artists of 2014 According to the magazine Graffiti.
He, who has already worked as a commissioner in several exhibitions of the house -Joc y Emergency on Planet Earth—, It brings a new proposal that comes to row in favor of the incredible talent quarry that has been forged in Valencia since the late nineties. Vinz said that cases such as Hyuro, The number one of the urban artists worldwide, who died having his work scattered outside Spain despite having developed his career here. This sample is, precisely, A cry to heaven that claims the protection of the artistic heritage of a worldwide pioneer generation within the street art.
In her, Each artist exposes a work of its beginnings, another that symbolizes its jump to popularity and one last, recent, that condenses international recognition. You will find all kinds of messages: The pacifism of Julieta Xlf (STOP GENOCIDE), Dulk's ecologism or Xelon, Cachetejack feminism, The love for the land of David de Limón; Song to Vinz's sexual diversity, The inner journey of Barbiturikills, The future projection of the humanoid pilot of Deih, and the characteristic classic graffiti and art combo, that artistically intervene a wall from the Center del Carme with its silver lyrics.
In this Bullir of Valencian urban art, the XLF collective has a lot to say (For the face) Founded P onescif - who does not appear in the exhibition - and Deih, which in turn met Vinz in the career of Hispanic Philology. Then they would join the Hope Group, Juliet, CESP, Sr. Groundhog, On-ly y Xelon, To complete this group of friends who began painting on the street for fun and ended up sitting the foundations of a movement that became very strong in Valencia. The principles of Valencian urban art pose ephemesely on the walls of the Center del Carme to remind us that we have a scene street art to presume. S.M.
