MUSEUM OF PREHISTORY. Corona, 36 Violence has been a constant between people who have shared the same era and geography, historically necessary to sustain and expand the power of

CARME CENTER. Museum, 2 Humanoids, quadrupeds and hybrid characters suspended in space constantly move. Other beings, plastic, inflatables, they perch on the ground. They seem to breathe.

VAT. Guillem de Castro, 118 Can you be fierce and nonconformist in art using stuffed animals as a tool?? Can. Annette Messager has been practicing militant feminism for many years with

CARME CENTER. Museum, 2 The May riots 68 They were not flowery and friendly at all.. Violent clashes broke out between students and police, there was blood,

VALENCIA CITY CITY EXHIBITION ROOM. Archbishop Mayoral, 1 The exhibition hall of the Valencia City Council hosts a tribute to Francisco Javier Goerlich Lleó until the end of the year (1886-1972), responsible architect

MuVIM. Quevedo, 10 The MuVIM in collaboration with the AVIVAMENT philosophy festival inaugurated in June the Beauty and Youth exhibition that questions the contemporary desire to remain beautiful and

MuVIM. Quevedo, 10 Small trees sprout inside precious jewelry cases with an antique feel signed by the English artist Tetê de Alencar. They are minimalists, precious, delicate… but NOT feminine.

THE SHIPS. John Verdeguer, 16 There are still those who doubt the existence of climate change, the direct responsibility that man's actions have on him and the tragic

VAT. Guillem de Castro, 118 The Spanish pavilion at the Venice Biennale 1976 It remained closed because the organization had decided not to accept the participation of dictatorships. In that

CARME CENTER. Museum, 2 “I will never make a work that does not ask questions”. This maxim of the sculptor Teresa Cebrián consumes the pieces that make up the retrospective The Long Journey.