Roman Theater of Sagunt. Pl. Facundo Roca, s/n (Sagunto)
Those responsible say that at no time the suspension of the Sagunto in Scene By Coronavirus, Public institutions that support the festival pushed to carry out this complicated edition because it is the most effective way to support the scenic sector, so punished for circumstances. The festival's motto this year is clarifier: "We recover the scene". Increase the budget in 100.000, there will be seven proposals more than in 2019 and seven absolute premieres that give packaging to the contest. One of them is Elektra.25 [8/8] of the magnificent Watchtower, A company that carries 25 years adapting great texts of classical universal theater to contemporary language. In Greek mythology, Electra devised a plan to avenge his father's murder, Urdido by his own mother, Clitemnestra, And the lover of this, Egisto. This is, therefore, A work that revolves around revenge, and advances to the rhythm of ethnic songs and choreographies that are already a company's mark. The second major premiere of the festival is Incovidsation in major gift [5/8], A dance show of Sun chopped And the musician J.S. Chapi, With the collaboration of Carles Dénia, Where improvisation, Repetition and minimalism are combined with the current pandemic context. Eduardo II, Fog eyes [29/8] recreates the life of King Eduardo II of England in the fourteenth century implying that things have not changed so much seven centuries later: The Church continues to condemn homosexual love, Religions continue to sow the world of fanaticism and pain, And the power of money submits more than ever the will of peoples. The local contribution comes from the hand of Hungarian Theater what, A., complies 25 years on the stage and has created the work for the occasion Saguniliad [4/9] in which Sagunt's Roman theater itself is the protagonist. From the time of the Romans to the present, going through the Middle Ages, The Golden Age and the Franco dictatorship, Saguniliad We will make us live the most outstanding facts that have taken place in the Saguntino Coliseum.
Premieres apart, A work arrives under the arm four nominations for the Max Prize (Best Theater Show, Address, Theatrical and costume adaptation), the adaptation of Romeo and Julieta [14-15/8] from William Shakespeare in charge of Classic Seville Theater. The well -known argument deserves no more comment, A love story that is cooked halfway to two faced families that exemplifies how the hatred between peoples, nations or ideologies destroys coexistence ties. One that does not lack the appointment with Sagunt is the Mérida Classic Theater Festival, that this year brings us Host [22-23/8] With Pepón Nieto, Toni Acosta and Fele Martínez in the cast. The base is a plauto text rescued by Molière on duplicate beings living the amazing paradox of seeing leather out. The musical section of the festival is short but soft. On the one hand, los Manel [18/8] They present the songs of their latest work, By the good people, increasingly far from the folk with which they broke all forecasts for a album sung in Catalan. On the other, The flamenco Mayte Martin [25/8] will sing new repertoire and dress the records with a new attire Querencia y Very fragile, that have gone through their own right to the high spheres of flamenco history.
This is, Broadly speaking, Festival Delicatesn programming, But the garrison that accompanies well could be in the center of the plate. Talk later, For example, OF THE WORKS OF OFF ROMà 9 [3/9] of Danish dogs, and thriller psychological that raises as far as we would be willing to arrive to defend a reasonable doubt; or of (R)Minds [5/9], The production of the Calle Valencià de Cultura. You can see very interesting works that have already gone through Valencian scenarios and streets such as Ingovernables [6/8] of Awirohecho, a tribute to those who have fought to defend the territory, The garden and the right to live in peace, released at the end of the year at the Rambleta; The Wolves [4/8] of The Fam Teatre village, Fixed guests to the Swedish Mim; Lazarus [5/8] by Roberto Hoyo, that we could see in the mutant, The classic Lazarillo de Tormes adapted to hip hop and new scenic languages; Delirium [19/8] From Isabel Martí in which three women and two men stationed in the bar bar in hand talk about the death penalty, corruption or hatching of runners; The pact [20/8], That immerses us (The public has an active role in the work) In the negotiations of three political parties trying to ally to get to power; y The city of frost [22/8] of Crit, An adaptation of the novel Between curtains by Carmen Martín Gaite that portrays the youth of a Spanish city during the first Francoism. Among what has never gone through Valencia we highlight Socrates' judgment and death [10-11/8], that recreates the judgment in which the Greek philosopher was convicted of corrupting youth and the visits that his friends made in jail; Diktat [12/8] on two stepbrother who try to communicate in the context of an exclusive nationalism that prevents coexistence; y Mauthausen. My grandfather's voice [13/8], Based on the memories recorded by a survivor of the Nazi concentration camp, counted by his granddaughter. To finish, The festival continues to bet strongly on the circus in the street and program this year up to eight shows such as Tiravol of Daraomai [13/8], Wait of Circo [27/8] y FLOU SPEAKER of Mumusic Circus [29/8]. AU
