OF SATURDAY 2 ON SUNDAY 10/4
dv.ivc.gva.es
Dansa Valencia returns to the streets and incorporates an international presence in this 35th edition which increases the budget by one 67% to accommodate seven more companies than the previous one, twenty-five in all. From Greece acute the minimalist Christo Papadopoulos, emerging figure of European dance, to present Ion [9/4] with a dozen dancers, of electrically charged ions that trace orbits present in nature. At home we have the Suecana Strawberry Theater that goes back up on stilts to women, now distressed by having to leave the land of origin and find rejection in the country of arrival. Migrate will be released on Saturday 9/4 at the Palace of the Arts, three days after the other great Valencian show enters the scene, of public production this. The public [6] of Gustavo Ramirez Sansano is an adaptation of Lorca's classic in which the poet from Granada took off his mask and spoke of himself as a minority due to his homosexuality. The flamenco dancer Rocio Molina, —which has just received the Silver Lion of Dance 2022 of the Venice Biennale— presents Start (A) [6] to the rhythm of the flamenco guitar of Maestro Rafael Riqueni. She will be the first National Dance Award to hit the Valencian stage, then the Catalan company will come Bad fur with Highlands [8], the last piece of his tetralogy inspired by the music of Johann Sebastian Bach. And the other must of the programming will be Made of space [10] of Guy Nader i Maria Campos, which will close the festival on a high note in the Main Theater.
A Orthopedic corporation [6], Marina Mascarell start dancing, against domestication and standardization, five performers of 22 a 54 years of different cultures with nugada tiles on the body; Núria Guiu he is inspired by the choreographies of TikTok in his Cyberexorcismo [10], i Jesús Rubio Gamo strips the dance of all that is superficial in Simple actions [7], to the flamenco rhythm that marks three singers i palm trees sense instruments musicals. father ago Juan Carlos Lérida al site specific Sacred machines[9], but inside a mechanical workshop where he stomps on car number plates and marks the compass with spanners. Finally, we highlight two female duets, the one of Lucía Montes i Mado Dallery, two bodies attracted towards each other in IN-SIDE [9] and the one of Lara Miso and Wilma Puentes in It's not love [6], where the geometric figure of the circle is explored. In addition, with the aim of bringing the dance closer to the non-expert audience, guided and free itineraries have been launched for groups of spectators who will be able to get to know the selected pieces up close, the context in which they occur, and the motivations and tools of the artists who create them (prior registration is required). The dance will be held in April for 19 spaces in the city to attract everyone who is willing to be seduced. S.M.
