CARME THEATER. Gregory Gea, 6
With the intention of recovering the Valencian dramaturgy of the 20th century, the cycle With the text above del Carme Teatre delves into post-war Valencian theater. The work Barracks 62, of linear course and composed in three acts, invites viewers to know the day-to-day life of some prisoners who live together in a barrack in a concentration camp. A universal vision of existentialism and the sense of freedom. An environment where roles are clearly defined and it is necessary to develop different solutions to survive. The presence of an omnipresent figure who governs everything, o practically dead, refers us to Godot which never occurs in Beckett's work and which conditions personal relationships through fear. LUCAS SÁEZ
