UNTIL SATURDAY 30/4
MuVIM. Quevedo, 10
Eve Arnold, Inge Morath and Cristina García Rodero are three of the seven photographers who, by self -right, have been part of the sacrosant agency Magnum. Rosa Olivares is the curator of the Muvim exhibition that exalts the black and white work of these three artists who trampled on, Without ordering permission, a masculinized ground in a world of men. Arnold was the first to become a member of the agency, he 1955, with a more photojournalistic and political vein than Morath. But I shared with his contemporary dedication to fashion and film photography, in fact, both worked in the documentation of the shoot of The Misfits, Where does the photo of Marilyn Monroe come from that is part of the sample, sensual com was her, Comfortable però, relaxed, Without forcing the Poste to delight staff (masculine). The script of the movie in question was written by another of the portraits, Arthur Miller, Monroe husband who would marry later with Inge Morath, World woman who spoke seven languages and entered the agency as Cartier-Bresson assistant. Specialized in film photography, Fashion I Societat, In addition to capturing major travel reports around the world, among them, China and Spain.
Last Lliça is the first Spanish photographer who entered Magnum, he 2005, Fifty years after Arnold (There are no Spanish men in the prestigious list). We talk about García Rodero, that with her fifty common lady has entered like no one in an erotic snowfall of snowfall or in the Love Parade in Berlin, In Rituals Pagans I Religious, In festivals and customs of the peoples of Spain. In Three Magnum women exhibits photos of large -scale documentary slope, designed for the museum, as that freezes to a group of lute Italian plains with half that completely cover their face (Of the year 2000!) or that of Haitian carrying a goat head on the neck to sacrifice. All pictures put the focus on the portrait, ha follow of celebrities, artistes, politicians, intellectuals, kids, Anonymous women or unknown people. Here we have Malcolm X touched with a cork and his immortal glasses, Churchill's bust looking at Inquisidor to Margaret Thatcher, the contestants of mrs. America about Fons Negre Posant in a diagonal that was forgiven in the sang, A Paul Newman snoringly attending class actors Studio or a girl decayed on the bar of a Burdel in the Red Quarter in Cuba. The Muvim brings us the work of three women who, camera en am, have been witnessed by the world and they have frozen it with mastery for posterity. S.M.
