Part 1
TITLE: Frequency
SYNOPSIS: The frequency at which a group of first-year students have synchronized. An exploration of movement through anachronistic devices. The measure of the number of times a phenomenon is repeated per unit of time.
Part 2
TITLE: Gaps
SYNOPSIS: Entrevacios is a piece created by conservatory students as an exercise in friction and presence. A story is not told: body remains are collected, of technique and time. The movement appears raw, fragmented, crossed by quick decisions and awkward pauses. The body functions as a living archive and as a place of resistance. We play with rhythms: the cold contracts, short, stops; the air accelerates, displaces and overflows. The void opens between them, not as absence but as necessary interruption. From there emerges the labyrinth: broken paths, repetitions and detours that performers go through without looking for a way out.
Part 3
TITLE: OÎNOS
SYNOPSIS: Wine and faith, They work as anesthesia in the face of an unsustainable reality. Like a Dionysian tragedy, obsessive repetition accelerates deterioration until order breaks down. Concluding in a contemporary Thrênos, that is to say, a catharsis, without possible redemption.
Part 4:
TITLE: PELL(E)S
SYNOPSIS: Piel proposes an analogy between the body and the neighborhood: both exposed, observed, courts, intervened, crossed and transformed by external views. Through choral choreography, they embody a living territory that adapts, resists and wonders who decides on its form, your value and your identity.
