Russafa Escénica has less and less Russafa. It is also moving away from unconventional spaces. someone will exclaim: They are losing their essence! The logical answer is that the growth and expansion of the festival is a logical consequence of having been doing things very well for many years.. But it is what it is, Russafa Escènica drags its shows to more and more areas of the city in each edition and the most important programming seeks accommodation far from the neighborhood where it was born. Russafa IN, the format that shaped the original festival, was held in September, but in October we have the last blows of Russafa OUT, the one held outside Russafa in mostly conventional spaces. For a start, the greenhouse, the long piece of its own production that this year Adrián Novella of Bullanga Teatre directs. The ones above [1-4/10] invites us to a birthday party in the attic of the Rialto building with young people who wonder what is more important, health or economy, freedoms or privileges. Regarding the Forests (pieces of 30-60 minutes), we highlight You breathe in the garden like in a forest [1/10] by The Count of Torrefiel, a scenic exercise for a single spectator in which he or she occupies the role of performer and audience consecutively; y Catalina [3/10] of Female Sexual Initiative, a dance piece in which you can see Cristina Morales dance, the writer who shook up the publishing world with her novel Easy reading. AU
Camino al zoo
FROM THURSDAY 30/1 ON SUNDAY 2/2
Diálogos brillantes, dolor, violence, rabia y un sofisticado tono de teatro del absurdo que conecta irremediablemente con los tiempos que vivimos.
