
¡OH CUBA!
OLYMPIA THEATER. Saint Vincent the Martyr, 44 Every excuse is good when it comes to recovering the figure of Federico García Lorca and experiencing the work and the Lorca universe.

OLYMPIA THEATER. Saint Vincent the Martyr, 44 Every excuse is good when it comes to recovering the figure of Federico García Lorca and experiencing the work and the Lorca universe.

TALÍA THEATER. knights, 31 “You have to be a feminine man or a masculine woman. Have an androgynous mind that transmits emotions without impediment. Creative, incandescent, undivided like Shakespeare's.

RIVER THEATER. Gregory Gea, 15 Leandro Estévez is a speaker whose spirit is not enough to bear the emptiness, whose words seek to engage solitudes in each of their emissions.

ROMAN THEATER OF SAGUNT. Pl. Facundo Roca, s/n (Camp de Morvedre) Heroines and antiheroines, heroes and antiheroes roam freely through the streets of Sagunto in the thirty-fourth edition

ARCHAEOLOGICAL SITE OF ALCÚDIA (ELX, Down Vinalopó) Alcúdia (Elx) bets again on classical theater with the fifth edition of an attractive festival, both for the pieces chosen and for their place

MAIN THEATER. boats, 15 Diana is like the dog in the manger, neither eat nor let eat, She neither allows herself to fall in love with Teodoro nor does she allow him

teatres.gva.es After several years of drought, dance arrives like a deluge in Valencia: four non-stop days during which programmers and the general public will enjoy

TALIA THEATER. knights, 31 Albert Boadella, the director of the company Els Joglars for so many years, we are discovered in this show, interpreting himself through his

RUSSAFA ROOM. Dénia, 55 Snow glass, the unique albino gorilla in the world we all remember, faces its last days. His life has not been quite
OLYMPIA THEATER. Saint Vincent the Martyr, 44 We know the history: Bernard, matriarch of a rural Andalusian family, She is immersed in a very long mourning for the death of her husband.
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