CARME CENTER. Museum, 2
When the heat arrives the mind lightens and flees from the brainy, the Center del Carme knows it and exploits them. This is the third year that, by the film critic Daniel Gascó, launches a fresh film series in the cloister of the museum dedicated to comedy made in European countries like Bulgaria, Finland, the former Czechoslovakia, Austria and, ¡ojo!, Tajikistan. They will be quite unknown titles that, in many cases, They have never been released in Spain and are not found on the best-known film platforms.. This year, CCCCinema d’Estiu will program a special show by two experimental musicians, the Valencian Dr. Truna (Andres Blasco) and the British Mike Cooper, who will perform live the music they composed for Ernst Lubitsch's silent film masterpiece The doll (the doll, 1919). Besides, The CCCC joins the celebration of the centenary of Luis García Berlanga by projecting Long live the couples [5] and recovers a scathing Valencian film from twenty years ago about the art world, Dripping [21/8], which will be presented by its director, Vicent Monsonís, and several team members. The projections begin with Stories of ordinary strength (wrong address, 2005) by Petr Zelenka [3], a filmmaker obsessed with loneliness and abandonment who builds unpredictable characters. Directors Kolya Zdenek and Jan Sverák, in Dreams of youth [14], They create an endearing film that captures the emptiness that the elderly often face., and Jan Svankmajer, without using a single dialog, gathers in The conspirators of pleasure [26] six examples of subversion, fetishism and transgression around the search for pleasure and its strange rituals. Ivaylo Hristov, in Karatsi [28] portrays a disoriented Bulgarian youth, Doris Dörrie ironizes obsessive Western thought in relation to the absence of love in Nobody loves me [11], and Diane Kurys dissects her entry into adolescence with the film Diabolo mint [4]. Summer cinema at the Center del Carme to learn about and recognize European culture. AU
