Circle Theater

“SERENDIPITY” by Meanwhiles dance. 18, 19 y 20 December at 8 p.m.. Short piece. SERENDIPITY fuses the intensity of urban dance with the expressiveness of contemporary. It immerses us in a chance encounter between two bodies that, in its diversity, They explore each other with curiosity and immerse themselves in the delight of discovery.. ... Read more

“SERENDIPITY” by Meanwhiles dance. 18, 19 y 20 December at 8 p.m.. Short piece. SERENDIPITY fuses the intensity of urban dance with the expressiveness of contemporary. It immerses us in a chance encounter between two bodies that, in its diversity, They explore each other with curiosity and immerse themselves in the delight of discovery.. ... Read more

“SERENDIPITY” by Meanwhiles dance. 18, 19 y 20 December at 8 p.m.. Short piece. SERENDIPITY fuses the intensity of urban dance with the expressiveness of contemporary. It immerses us in a chance encounter between two bodies that, in its diversity, They explore each other with curiosity and immerse themselves in the delight of discovery.. ... Read more

“TENDER” by María Carbonell, Yolanda Peña and Marta Garcia. 11, 12 y 13 December at 8 p.m.. Short piece. "TENDER" es una propuesta de danza contemporánea que cuestiona los patrones y caminos aprendidos. Son tres cuerpos en escena que se escuchan. Es una espiral y un cambio de mirada. Es vibrar con la espectadora ... Read more

“TENDER” by María Carbonell, Yolanda Peña and Marta Garcia. 11, 12 y 13 December at 8 p.m.. Short piece. "TENDER" es una propuesta de danza contemporánea que cuestiona los patrones y caminos aprendidos. Son tres cuerpos en escena que se escuchan. Es una espiral y un cambio de mirada. Es vibrar con la espectadora ... Read more

“TENDER” by María Carbonell, Yolanda Peña and Marta Garcia. 11, 12 y 13 December at 8 p.m.. Short piece. "TENDER" es una propuesta de danza contemporánea que cuestiona los patrones y caminos aprendidos. Son tres cuerpos en escena que se escuchan. Es una espiral y un cambio de mirada. Es vibrar con la espectadora ... Read more

They are in the middle of nowhere. Locked in their premises with the noise of the city far away and with theirs very close. Nobody listens to them. Soundproofed, surrounded by egg cups, not to disturb, so they don't bother them. To scream in a silent death rattle. Neither old glories nor young promises. This is what Los Osamenta are like. ... Read more

They are in the middle of nowhere. Locked in their premises with the noise of the city far away and with theirs very close. Nobody listens to them. Soundproofed, surrounded by egg cups, not to disturb, so they don't bother them. To scream in a silent death rattle. Neither old glories nor young promises. This is what Los Osamenta are like. ... Read more

They are in the middle of nowhere. Locked in their premises with the noise of the city far away and with theirs very close. Nobody listens to them. Soundproofed, surrounded by egg cups, not to disturb, so they don't bother them. To scream in a silent death rattle. Neither old glories nor young promises. This is what Los Osamenta are like. ... Read more

They are in the middle of nowhere. Locked in their premises with the noise of the city far away and with theirs very close. Nobody listens to them. Soundproofed, surrounded by egg cups, not to disturb, so they don't bother them. To scream in a silent death rattle. Neither old glories nor young promises. This is what Los Osamenta are like. ... Read more

Forty, thirty nine, thirty eight, thirty seven, where does the fear of giving birth come from?, thirty six, thirty-five, From the fear of pain or the fear of death?, thirty four, thirty three, thirty two, and you, how did you come into the world?, thirty one, do you talk about it?, thirty, ... Read more

A cumulative tale, in which each new stanza presents a new character, a situation, or a state of mind. Despite its simple and classic argument: Una princesa amenazada por un dragón, nos sorprende al convertirse, suddenly, in it "anticuento".