two men. a boat. A truth that burns. In the heart of the sea, where only us and them exist, two characters navigate a friendship built on generational lies. Through dialogues that border on absurdity, black humor and cruelty, Joaquín Daniel weaves a parable about how power works: mediante ... Read more
Antón hates his nose. At school they call him "Button Nose.", until you discover something wonderful: In his family no one is "normal". His mother has butterfly ears, su hermana mofletes de semáforo, su padre cuatro ojos y su abuelo brazos de tallarín. What seemed like a defect becomes power, en juego ... Read more
Antón hates his nose. At school they call him "Button Nose.", until you discover something wonderful: In his family no one is "normal". His mother has butterfly ears, su hermana mofletes de semáforo, su padre cuatro ojos y su abuelo brazos de tallarín. What seemed like a defect becomes power, en juego ... Read more
Antón hates his nose. At school they call him "Button Nose.", until you discover something wonderful: In his family no one is "normal". His mother has butterfly ears, su hermana mofletes de semáforo, su padre cuatro ojos y su abuelo brazos de tallarín. What seemed like a defect becomes power, en juego ... Read more
Antón hates his nose. At school they call him "Button Nose.", until you discover something wonderful: In his family no one is "normal". His mother has butterfly ears, su hermana mofletes de semáforo, su padre cuatro ojos y su abuelo brazos de tallarín. What seemed like a defect becomes power, en juego ... Read more
Antón hates his nose. At school they call him "Button Nose.", until you discover something wonderful: In his family no one is "normal". His mother has butterfly ears, su hermana mofletes de semáforo, su padre cuatro ojos y su abuelo brazos de tallarín. What seemed like a defect becomes power, en juego ... Read more
Antón hates his nose. At school they call him "Button Nose.", until you discover something wonderful: In his family no one is "normal". His mother has butterfly ears, su hermana mofletes de semáforo, su padre cuatro ojos y su abuelo brazos de tallarín. What seemed like a defect becomes power, en juego ... Read more
After last season's acclaimed performances, This Lorca from 1935, reviewed in 2025 by the playwright Marc Rosich based on an original idea from La Màquina. an actress, Gretel Stuyck, alone in the face of all the dramaturgical complexity of Lorca, only accompanied by three actresses and musicians. An acting exercise, and ... Read more
After last season's acclaimed performances, This Lorca from 1935, reviewed in 2025 by the playwright Marc Rosich based on an original idea from La Màquina. an actress, Gretel Stuyck, alone in the face of all the dramaturgical complexity of Lorca, only accompanied by three actresses and musicians. An acting exercise, and ... Read more
After last season's acclaimed performances, This Lorca from 1935, reviewed in 2025 by the playwright Marc Rosich based on an original idea from La Màquina. an actress, Gretel Stuyck, alone in the face of all the dramaturgical complexity of Lorca, only accompanied by three actresses and musicians. An acting exercise, and ... Read more
After last season's acclaimed performances, This Lorca from 1935, reviewed in 2025 by the playwright Marc Rosich based on an original idea from La Màquina. an actress, Gretel Stuyck, alone in the face of all the dramaturgical complexity of Lorca, only accompanied by three actresses and musicians. An acting exercise, and ... Read more
After last season's acclaimed performances, This Lorca from 1935, reviewed in 2025 by the playwright Marc Rosich based on an original idea from La Màquina. an actress, Gretel Stuyck, alone in the face of all the dramaturgical complexity of Lorca, only accompanied by three actresses and musicians. An acting exercise, and ... Read more
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