In 1992 participated in the tours of the European Community Baroque Orchestra. He worked for about twenty-five years as first violin with La Cappella della Pietà dei Turchini (later the Neapolitan Chapel of Naples) under the direction of Maestro Antonio Florio, performing at major international festivals. He currently plays the role of first violin in the following early music ensembles: Le Musiche Nove directed by Claudio Osele, Chapel of San Petronio directed by Michele Vannelli and Concerto Soave de Marsella, directed by Jean-Marc Aymes.
He 16 October 1994 a concert was organized at the Stift Rein, near Graz, whose program was made up entirely of original compositions written for the occasion, obtaining a broad consensus from the public and critics; since then, His activity as a composer and reviewer stably accompanies that of a violinist.. For many years he collaborated with the American maestro Alan Curtis and his ensemble Il Complesso Barocco, as first violin, reviser and reconstructor of incomplete scores. In 1997 was in charge of the reconstruction of the Assalonne Punito de P oratory. A. Ziani, performed that same year in Naples and in 1998 in Piacenza and Berlin, where it was also recorded for the Stradivarius record label. In 2005, Alan Curtis commissioned him to reconstruct the newly found Antonio Vivaldi opera, Motezuma: This reconstruction was recorded in 2006 for Deutsche Grammophon and published in 2010 by Bärenreiter publishing house. In July 2006, the Festival dei Due Mondi in Spoleto staged his reconstruction of Vivaldi's opera Ercole sul Termonte, also under the direction of Alan Curtis. In addition, reconstructed the buffa parts of Domenico Scarlatti's opera Ottavia restituteta a la throne, performed under the direction of Antonio Florio at the Victoria Eugenia Theater in San Sebastián during the Musical Fortnight of 2007. Of 2010 a 2013 he directed the Orfeo Futuro orchestra, performing the Magnificat of J. S. Bach and his own compositions, between them: Praise the Lord ready soprano, choir and orchestra; Salve Regina for soprano and strings; la cantata Ero e Leandro for soprano and instruments (also performed at the XV Estense Music Festival “Grandezze e Meraviglie” in Módena and subsequently at the Anima Mea festival in Molfetta); and a Holy Wednesday Lesson for soprano, alto and strings. In 2013, the prestigious Vivaldi Edition of the Naïve label recorded his reconstruction of Vivaldi's opera Catone in Utica under the direction of Alan Curtis; the score was later published by the Boosey publishing house & Hawkes. In 2017, His Salve Regina was performed for three sopranos and orchestra at the Palau de la Música in Valencia by the Capella de Ministrers, directed by Carles Magraner. In 2019 founded, together with the harpsichordist Francesco Baroni and highly talented young musicians, the Compagnia de Violini ensemble, with the aim of proposing to the contemporary public, through rigorous philological research, the Italian instrumental repertoire of the 17th and 18th centuries.
He has recorded for Accent stamps, Harmony of the World, Opus 111, Stradivarius, The touch, for the ORF, BBC, RAI 1 y RAI 3, Symphony, Brilliant Classics…
With the Violini Company he directed the 6 January 2022, for the concert season at London's Wigmore Hall, At Semele, serenade for three voices and orchestra by J. A. Hasse, and in the same year he directed Le Musiche Nove for the Osterfestspiele Rheinsberg 2022. He 7 May 2024 He led the Violini Company, inaugurating the first Modena Belcanto Festival with a program dedicated to authors active in the ducal chapel of the Este at the end of the 17th century.. He also inaugurated the second edition of the festival on 25 September 2025 conducting the oratory The martyrdom of Santa Teodosia by Alessandro Scarlatti. He 16 November 2025 He performed as soloist and first violin with Le Musiche Nove at the Brahms-Saal of the Musikverein in Vienna. He 4 December 2025, for the Greatness and Wonders of Modena Festival, he conducted the Violini Company in the first modern performance of Pietro Degli Antoni's oratorio L'innocenza depressa. He is currently a professor of Baroque Violin at the 'Arrigo Boito' Conservatory of Parma..
