The program traces an itinerary through different conceptions of sound as a space for research and perceptual experience. The creation of Marc García Vitoria places the guitar in a territory of resonances and tensions that dialogues with contemporary orchestral writing. The dense micropolyphony of San Francisco Polyphony, but György Ligeti, it transforms the orchestral mass into an organism in continuous mutation, whereas in Rocan, d’Unsuk Chin, expands the spectral dimension of timbre through a refined architecture of light and energy. As a historical counterpoint, the Suite d’The wonderful mandarin, but Béla Bartók, reveals the origin of many of the sound explorations of the 20th century: a writing of radical modernity with rhythm, color and expressive violence anticipate much of contemporary musical creation.
