Like opposing forces in balance, asin Marina Gonz's creative territory is definedonlez Warrior: precariousness and preciousness, reuse and construction, memory and anticipation. At your work, beauty does not reside in perfection it isandethics, but in the trace and in the matter that resists the passage of time.
Gonzonlez Warrior articulates his pronctic from these coordinates —compose with what is found, make deterioration visible and build with your hands without erasing its trace—. The waste, the humble and the forgotten become bearers of a past coexistence, present and future.
Its facilities are made up of accumulation, like a scene-fileinin process. One gesture leads to the next in a contained and precise game. The materials —plastics, metals, strings, ceronmicas, residueos orgonnicos (palos, leaves, flores, seeds)— coexist with objects that evoke wheels, veletas, watches, plumbs or water containers. With them he builds an idealized nature, crossed by references to the domandstic and sacred. Wildflowers suggest offering and the relationship with what is effective.inmero. Water refers to the gesture of purifying and to theinflow plunger.
Yes ok The wait, the fluid, the measure brings us closer to an ecologyinthat celebrates the fragility of time, water transcends its conditionn of medium.
