¡Oh, Dulcinea del Toboso, day of my night, glory of my sorrow, north of my paths, star of my fortune: so heaven will give you a good one as soon as you manage to ask him, that you consider the place and the state to which your absence has led me, and that with a good term you correspond to what is owed to my faith! Don Quijote of La Mancha
Be the perfect woman, model of education and charm, lady and mistress of the most famous knight errant in history, It is a weight that Dulcinea no longer wants to bear.. In a world where ideals have less and less place, where ethics has given way to aesthetics and morality to corruption, There is no point in continuing to defend impossible dreams.. Or maybe yes? Do we need today, more than ever, of Dulcinea? Maybe she with humor, with pain, with irony and with absolute sincerity, be the only one capable of giving us that answer.
Juan Carlos Rubio writes and directs this show in which, according to the director's own words, “Paloma San Basilio va a singar, Of course, and accompanied on the piano by an essential genius in the lives of both: Julio Awad. But, above all and above all, in Dulcinea Paloma is going to INTERPRETE, and with capital letters, to that ideal woman, forged from clichés and daydreams of the most famous knight-errant in the world, and now he tells us his story from another angle, the one that only she knows, the one that the books of chivalry (no matter how great they are) they have not been able to collect. And he does it with humor, with pain, with irony and with absolute sincerity?.
