Getting dressed for mornings to shrink, mimic yourself, remember.
food, smoke, drink to be gesture, impulses, identification, a me welcomed in the crowd.
Crowd that accompanies and judges, that calms and paralyzes. And that is also a kiss.
Kisses that are multiply, suspicions multiply, expectations that multiply.
The self dimensioned by the fear of the abyss, the fear of falling to meet the instability of silence, of the belly that is dawning, of what you are and what is expected, of balance.
Assuming that one's own identity can be something different from the image that one has constructed, to one's own perception. Assume that we will not always be seen the way we want to be seen.
Assume that showing yourself vulnerable, especially the vulnerability that drinks from fear, it also generates beauty, beyond established canons and patriarchy. Assume oneself vulnerable and find oneself in the, the fear of the abyss of a beginning or of all beginnings, the engine to live. Live honestly.
I had never been so close to the edge of the abyss. And I repeat it: from-the-edge-of-the-abyss. I repeat it and I cringe between fear and desire.
Idea original, Texts and Interpretation PEP LAZA
Direction PATRÍCIA PARDO
Dramaturgy PEP LAZA . PATRICIA PARDO . MANUEL CONDE
