The pianist and musicologist Irene de Juan returns to the Cañada Blanch headquarters to present his latest book, Sing the infinite: music and words around the romantic imagination (Halftone, 2025), in a new meeting of the Musical Dialogues, moderated by Mónica de Quesada.
In his essay, The author invites us to travel through the century in which music began to be thought of as a language, able to dialogue with poetry, literature and philosophy to say what escapes words. Throughout this dialogue, We delve with Irene de Juan into the Germanic idealism of the 19th century to discover the way in which music began to be understood as a form of knowledge and access to the intangible..
A meeting that fuses words and live music, with the interpretation of some pieces by Irene de Juan herself, establishing a live dialogue between analysis and experience to delve deeper into the ideas that run through the essay.
