Bach's counterpoint and harmonic masters have served as basis and reference to later musicians to the present day, allowing composers from all over the world to explore and express their own musical language, From the techniques he perfected. The program that proposes the violinist Leticia Moreno Amb the bandoneó Claudio Constantini, Double bass Edicson Ruiz and pianist Matan Padat in this new "Chamber at the Palace" is a good example of this. And the influence of the German genius on the Brazilian Bachianas, in which his counterpoint masters serves as a starting point in Villa-Lobos to create something genuinely Brazilian, It is a reflection of how Bach's music has become a world icon and has adapted to local traditions. Piazzolla's music is perhaps the most modern of the performances, in which Bach's counterpoint and structure are filtered through the optics of 20th -century tango music, demonstrating that his legacy continues to resonate in all kinds of current genres.
Leticia Moreno, violin
Claudius Constantine, Bandoneó
EDICSON RUIZ, double bass
Matan Porat, piano
Johann Sebastian Bach Sonata Num. 4 for bandoneon and violin in minor gift, BWV 1017
Heitor Villa-Lobos Bachianas Brasileiras Nu. 5
The art of leak. Partita selection no. 2 In re minor, BWV 1004. Chaconne
Astor Piazzolla The four Porteny stations
