Scenic and performative piece. Empty yourself to inhabit the other. a hybrid proposal between the scenic and the performative, between the corporal and the sensory. This piece under construction is based on the investigation of the concept of love from the perspective of the creators and is structured around four fundamental pillars in which matter, body and thought converge in the stage act.
From this research, four axes are articulated that make up the heart of the proposal. First of all, the inheritance of love, that investigates how we have related to him in childhood and what emotional language we have received. The relationship with the current love follows, where we explore our forms of expression, the beliefs that sustain our bonds and the fears or desires that cross them. Can we love without fear? Third, the future or ideal construction of love, a projection towards what we long to build. How to imagine a love that does no harm, that does not possess, that at the limit? Can love be a political act of care and resistance? Finally, the relationship between love and art, understood as an attempt to understand what moves us inside, of ordering the unspeakable through aesthetic experience. Is art a way of loving the world?
Love sets like a gutting, in which we observe the place of each of the parts from the inside, to look at them from the outside and give some kind of explanation.
