More than a chronological tour, this program proposes a dialogue between memories, identity and creation. The band here becomes a territory of experimentation where the ceremonial gesture coexists, concertant writing and musical theatre. The world premiere of the Concerto for piano and band by Ramón Pastor dialogues with the addition to the repertoire of Baïburta, by Francisco Bort, and with the recovery of Nochebuena del diablo by Óscar Esplá, coinciding with the fiftieth anniversary of his death. Three ways to think of tradition not as an immobile inheritance, but as a living matter, open to new readings and listening.
