The Russafa Escènica festival expands like a drop of oil, now with a project of artistic residencies in different municipalities of the province called Via Escènica. We summarize the highlights of the national programming of this eleventh edition. No man will take me to the top [30/9] It is a piece that revolves around identity, traffic and violence, writing, directed and performed by Celeste González, trans artist who proclaims herself “deformed in classical dance”; I think home, I say chair [28/9] is the continuation of the company's latest work Los Detectives, in which they questioned the influence of fiction in the construction of female identity; y Coal. Negro [1/10] It is a cartography of Leonese mining drawn with the voices of women related to the coal industry. He Greenhouse — the long piece produced in-house — will be directed by The Count of Torrefiel [2-3/10] and the Scenic Garden, the other own production, composed of six micro pieces scattered throughout the Carmel Center, will be called A century of abysses [25-26/9] and will analyze the fractures between different generations of mothers and daughters in a family.
The local programming is made up of BOSQUES as Me and the other, a proposal of arts in motion by the authors Pilar Andújar and Jessica Martín that houses the room Carmen Theater, new addition to the festival as a representation space; stick knives, a dramedia by Iñaki Moral with Maribel Bayona and Eva Zapico that hosts the Russafa Room; y Taxidermia, a project by Colectivo Fracasadas and Teatro de los Manantiales with Ximo Flores in the direction that can be seen in the Off Hall. Complete the programming Tranvía nº12 of the company Window New Circ, a circus proposal directed by César García in Unstable Space y The birth of Venus, a creation by María José Peris of moving arts and musical theater that will be located in the Monastery of San Miguel de los Reyes. Los NURSERIES, short pieces by emerging Valencian artists, They are an incubator for new talents that Roberto Hoyo has gone through over the years., Marian Villaescusa and Victor Sánchez. We highlight The look, written and directed by Vicent Francés (La Galguera Company), a verbatim play with live songs to be performed at Freezia; y Prelude to slowness of the duo Versonauts, who will perform music and performance poetry at the Swedish Florist. AU
