CIRCLE THEATER. Prudenci Alcón and Mateu, 2
Controlling emotions is one of the first lessons a child must learn. The man must hold back his tears, cannot offer excessive displays of affection in public, and must be dominant, even derogatory. Definitely, it must be strong so as not to resemble the other, to the fragile, to which he is the object of mockery and contempt. Led Silhouette introduces the dance piece with the description of this toxic masculinity Creepy Crawly that generally ends up at the Teatro Círculo. It is not the first time that the Navarra company, created and directed by Marxel Rodríguez and Jon López - both performers in renowned groups such as The Veronal o Kukai Dance—, it's more, premiered his first project here, Moira, thanks to the co-production of Festival 10 Senses. AU
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