Galloping!

Theater. Guillem de Castro, 73

It was a logical step for a company that has stood out for building pieces with high political and social content. To be attentive to the problems of our time and to reflect on past events that explain the present? To want to transcend the theater by spurring a collective political movement (away from parties and near the street) that cultivates critical thinking. In Galloping! A shot made has opened up to young voices and accompanied them in the construction of their own story. He premiered this work that revisits his second piece last February, They bark, then we ride, by the hands of young people from the city who have joined the company's militias to give their own vision of history and the future. The work establishes a parallel between the indignant movement of 15M and the anarcho-syndicalist revolutionary climate during the Second Republic, i clar, the young actors who take part in the new version were children or pre-adolescents when they took the places, so their experiences were very different and they want to tell them from their point of view. This is precisely the appeal of reviewing the assembly, a reflection that puts into context what the 15M movement has meant for young people with the perspective of a decade, the one that the active company has just fulfilled, the most combative in Valencia and undoubtedly one of the most interesting. AU
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