November arrives and with this, one more year, one of the festival events most anticipated by the Valencian public. A difficult year, given the threat of the pandemic in which maintaining cultural activities is heroic. We talk about The cabin, the festival dedicated to medium-length films, You know, those films that are between the short and the long, between thirty and sixty minutes long. As usual, two sections in competition with twenty-four pieces. In the Official Section, we find jobs from countries like the United Kingdom, Spain, Sweden, Portugal, Germany, Hong Kong, France or South Korea. All types of proposals fit into this selection.. So, An arabian night by Pierre Mouzannar, tells us about the last night of a British soldier in civilian clothes. O Aloma I Milai by Tuixén Benet, experimental film that addresses the intricate search for our intimacy.
These works are accompanied by titles such as Destiny deluxe Portuguese Diogo Baldaia, bad boys by Elie Girard, portrait of a couple who must reinvent their friendship as they become alone in their group of friends, Lychen 92 de Constanze Klaue, tape that places us in the year 1992, in East Germany, o Masel tov cocktail Arkadij Khaet and Micke Paatzsch, portrait of the Jewish community in modern Germany. The German also completes the program Off season the Henning Beckhoff, the honkonese The withering de Chi Him Yuen, Hot summer by Hojoeng Kim and the French tapes Bite Them by Benoȋt Delépine and Gustave Kervern, y Pyral by Roxanne Gaucherand. In the section Amalgam, dedicated to documentary, we find jobs like Revelations by Juan Soto Taborda, reflection on the role of memories, the abandonment of rural Spain in Hotel Spain by Chus Domínguez and Inma Álvarez, the fact of feeling trans non-binary Being Sascha by Manuel Gübeli, or the religious conflicts in Lebanon Homeland gone by Laura Lavinia. Other section titles are Reconstruction of a hunting scene by French Patricia Allio, Wanderers de Evgenia Alexandrova o 48 shaot in fig by the Israeli Gal Dor. G.LEON
