
Smiles without tears: Forms of cinematographic comedy
FINS DIJOUS 27/3
Cycle that brings us closer to this type of comedy where laughter or irony coexist with a serious reflection on life.

FINS DIJOUS 27/3
Cycle that brings us closer to this type of comedy where laughter or irony coexist with a serious reflection on life.

FRIDAY 26/9
Each premiere of a film by the American Paul Thomas Anderson becomes a global event.

UNTIL TUESDAY 25/3
Cycle of films that address stories in which the characters are captivated by the intensity of the love bond.

OF SATURDAY 13/9 ON SATURDAY 22/11
The Filmoteca celebrates the centenary of the birth of one of the great actors of Italian cinema of all time: Marcello Mastroianni.

“Piece of a foreign life” does not achieve its purpose of foregrounding emotions; “Cinema Jazireh”, however, It is a remarkable film.

While “Orpheus” took us through the realms of abstraction and the dilemmas of the soul, the egyptian tape “Aisha can’t fly away” brought us back to the ground.

Both productions stumble when it comes to creating a story that interests or involves the viewer..

“Broken Vein” captures life in its purest form and “A second life” reveals itself as a cinema film yet to mature.

A documentary about Mariscal that stands out for its formal correctness, a Tunisian film that involves little emotionally and a quote from Sandro Aguilar that demands excessive patience.

WEDNESDAY 25/12
Robert Eggers joins the noble list of authors who have adapted Bram Stoker's classic character.
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