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DTSTART;TZID=Europe/Madrid:20260701T100000
DTEND;TZID=Europe/Madrid:20260729T200000
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CREATED:20260612T150042Z
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SUMMARY:Ghost. Aokizy
DESCRIPTION:He 13 September 2005 a pandemic took place that affected an entire virtual world. En el marco del videojuego World of Warcraft\, el jefe Hakkar adquirió un hechizo con-tagioso llamado Sangre Corrupta que\, aunque nunca debió salir de la mazmorra Zul’Gurub\, expanded unprecedentedly throughout the game. Un error de software hacía que\, aunque los juga-dores se libraran de la enfermedad\, sus mascotas sí que se contagiaran\, thus causing the Corrupted Blood to spread throughout the entire world. This programming error triggered a virtual pandemic that would later help epidemiologists study cases such as COVID-19.. El incidente de la Sangre Corrupta conectó\, sin quererlo ni esperarlo\, the digital world with the earthly world in a way that is as human as it is terrifying. Virtual ghosts crossed the screen to tell us about who we are and what we can expect from our behavior through pixels. This whole story of life and death happened in turn on a green screen. Millones de jugadores vieron caer su mundo sobre el manto de los monitores CRT monocromáticos verdes\, que sobre su luz crean historias y personajes que se posan sobre el color que mejor procesa el ojo humano\, which is none other than green. The same green that saw the birth of the first web portals and that experienced an unprecedented virtual pandemic is what serves as the base support for the artist Aokizy (Seúl\, 1988) who finds on screens a space in which to develop their work. \nEn esta muestra\, Ghost\, el artista\, He delves into post-digital art in the internet era using his computer and relying on monochrome CRT monitors. Em-pleando el verde y la pantalla\, composes its story on pixels that gradually fill with color and create new faces and narratives. In Aokizy's digital universe there is a language that manages to translate images into very specific signal systems. Llega a los monitores inspirado por la película coreana The Maggie\, that addresses themes of faith and doubt and that shows an image that makes you reflect on the faces it represents: that of a hand holding a cross on the screen of a CRT monitor. Una combinación entre lo sagrado y la imagen monocromática que hace que comprenda que los monitores\, lejos de mostrar una tecnología obsoleta\, They are “devices that transform the meaning and identity of images”. \nAl igual que los videojuegos moldean el verde para crear personajes que viven en la pantalla y corren -y mueren- mientras completan misiones\, the artist finds in technology a space in which the interpretation of the human being is shaped. Sus personajes\, que recuerdan a los webtoons coreanos\, llegan al espectador\, never without first paying your toll for the green. Las imágenes\, las historias\, las caras y su mundo entero existen sobre un solo tono\, that is now camouflaged between the white walls of the gallery. Los personajes que habitan su obra se “reconstruyen y consumen constantemente”\, como sucedía con la vida de personajes de World of Warcraft infectados por la Sangre Corrupta\, What would we imagine red if she were human?. Lo hace comprendiendo el paralelismo de la pantalla y el lienzo como lo que son\, “connected surfaces that temporarily contain and transmit images”. Imágenes fantasmagóricas que toman forma de caras\, animals or even documents in which art is attempted to be explained through other pretexts. \nTeresa Madueño. Periodista Cultural
URL:https://au-agenda.com/evento/ghost-aokizy/
LOCATION:Tuesday to Friday\, San Pedro Pascual\, 7\, València\, València\, 46008\, España
CATEGORIES:Exposició
ATTACH;FMTTYPE=image/jpeg:https://au-agenda.com/wp-content/uploads/2026/06/Aokizy-CRT-.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260526T100000
DTEND;TZID=Europe/Madrid:20260613T200000
DTSTAMP:20260731T030935
CREATED:20260525T061147Z
LAST-MODIFIED:20260525T061147Z
UID:10035818-1779789600-1781380800@au-agenda.com
SUMMARY:Souls of the Land. Martin Kačmarek
DESCRIPTION:Aquests quadres de Kačmarek permeten reconéixer l’abast de tota aquella tradició de la pintura animalista fins als nostres dies\, placing his own cow in the center; en este cas\, lligada a una gran pedra perquè no puga moure’s ni allunyar-se\, motionless while dominating both the surface of the canvas and the gallery space with the direct gaze of a deeply human beast. Com el jove bou de Paulus Potter o la vaca de Mark Tansey. We look at each other. \nUna cosa semblant ocorre en una sèrie de llenços centrats en un moltó robust\, una parella de cabirols distrets\, una gallina amb un cuc acabat d’arrancar de la terra\, a partridge and even an eagle. Tots ells són figures centrals que definixen el tema\, with an immediate presence that stands out against a circumstantial background landscape: un prat\, camps de cultiu\, una granja\, el camp o potser un bosc insinuat en la llunyania\, sempre sota cels tempestuosos que creen una atmosfera carregada\, with a damp light and a dense and mysterious air. \nRicardo Forriols\nUniversitat Politècnica de València
URL:https://au-agenda.com/evento/souls-of-the-land-martin-kacmarek/
LOCATION:Tuesday to Friday\, San Pedro Pascual\, 7\, València\, València\, 46008\, España
ATTACH;FMTTYPE=image/jpeg:https://au-agenda.com/wp-content/uploads/2026/05/27051361-2a89-bedf-7ddc-a1d1a436ab8a.jpeg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260418T100000
DTEND;TZID=Europe/Madrid:20260514T200000
DTSTAMP:20260731T030935
CREATED:20260415T142439Z
LAST-MODIFIED:20260415T142439Z
UID:10034273-1776506400-1778788800@au-agenda.com
SUMMARY:The Dam. Fernando Tinoco
DESCRIPTION:
URL:https://au-agenda.com/evento/la-presa-fernando-tinoco/
LOCATION:Tuesday to Friday\, San Pedro Pascual\, 7\, València\, València\, 46008\, España
ATTACH;FMTTYPE=image/jpeg:https://au-agenda.com/wp-content/uploads/2026/04/fb3f83dd-248c-bc36-44c9-2dcb748a24fd.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Madrid:20260221T100000
DTEND;TZID=Europe/Madrid:20260402T200000
DTSTAMP:20260731T030935
CREATED:20260218T173141Z
LAST-MODIFIED:20260218T173141Z
UID:10032431-1771668000-1775160000@au-agenda.com
SUMMARY:γ¹ β¹ A¹ B¹ C ↑ I⁴ K⁵ ↓
DESCRIPTION:γ¹ β¹ A¹ B¹ C ↑ I⁴ K⁵ ↓ reúne las propuestas de Andrea Muniáin\, Lola Zoido and Mayte Gómez Molina on the persistence of narrative structures as models for thinking about contemporary technology. La exposición se basa en el cuento\, la fábula y el mito no como historias del pasado\, sino como dispositivos activos que siguen organizando nuestra relación con las imágenes\, the promise and the transformation.
URL:https://au-agenda.com/evento/%ce%b3%c2%b9-%ce%b2%c2%b9-a%c2%b9-b%c2%b9-c-%e2%86%91-i%e2%81%b4-k%e2%81%b5-%e2%86%93/
LOCATION:Tuesday to Friday\, San Pedro Pascual\, 7\, València\, València\, 46008\, España
ATTACH;FMTTYPE=image/jpeg:https://au-agenda.com/wp-content/uploads/2026/02/ef250a74-08ad-64d1-cf31-fe616d4eeb03.jpg
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