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DTSTART;TZID=Europe/Madrid:20260421T190000
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SUMMARY:Perspectives: Salomé
DESCRIPTION:Meetings with the protagonists of the different productions in which the essential elements of the music and dramaturgy of the different productions that make up the Les Arts season are addressed. In collaboration with Amics de l’Òpera i de les Arts de la Comunitat Valenciana. \nOscar Wilde redacta Salomé estando establecido en Torquay\, inspired by contemplation of Gustave Moreau's pictorial work of the Hebrew princess. La obra\, redactada en prosa muy poética\, no fue escrita para la renombrada actriz francesa Sarah Bernhardt\, although she certainly asked him to interpret it. El drama bíblico fue escrito originalmente en francés\, for personal and strategic reasons (Theatrical representation of biblical themes was not possible in Victorian Britain). Richard Strauss conoce el drama en sus primeras representaciones en Alemania\, en traducción de Hedwig Lachmann\, playwright and first editor of the libretto that Strauss would reduce to a third. El compositor deseaba mantener el nihilismo filosófico\, cercano a Nietzsche\, that Wilde adorned with his decadent preciousness. Salome es un Nuevo Testamento wagnerista\, the purification of Parsiphalian Wagner. Pero\, a pesar del deseo straussiano de superar la vía wagneriana\, The hindrance of its structures remained in the architecture of this symphonic-neurotic poem that closes with a bloody Liebestod from the protagonist to the beloved and holy head of the Baptist..
URL:https://au-agenda.com/evento/perspectives-salome-2/
LOCATION:IVAM\, / de Guillem de Castro\, 118\, València\, Valencia\, 46003\, España
CATEGORIES:Confèrencia-Debat
ATTACH;FMTTYPE=image/jpeg:https://au-agenda.com/wp-content/uploads/2026/04/Perspectives-2.jpg
ORGANIZER;CN="Amics de l%E2%80%99%C3%92pera i de les Arts CV":MAILTO:redes@amicsopera.org
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